Uechi Ryu (上地流) is a traditional style of Okinawan karate, considered one of the three main styles of Okinawan Karate alongside Goju Ryu and Shorin Ryu. It emphasizes strong body conditioning, close-range techniques, circular blocks, and the principle of "half-hard, half-soft," all built upon a foundation of unique the eight core kata.
Junbi Undo (準備運動) translates directly to "preparatory exercises" or "warm-up exercises." These are a series of movements performed at the beginning of a training session to prepare the body and mind for the more demanding aspects of Uechi Ryu practice, such as Hojo Undo, kata, and kumite.
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| ASHI O MAE UCHI NANAME NI AGERU UNDO (足を前打ち斜めに上げる運動 - STRAIGHT LEG KICKS) | From left Sanchin stance, swing right leg up over right shoulder, then over left shoulder (keep leg straight when swinging). Change into right Sanchin stance & repeat with left leg. | |
| ASHI O MAE YOKO NI NOBASU UNDO (足を前横に伸ばす運動 - LEG LIFT AND TURN) | Heels together, toes apart, hands on hips, lift right leg up & extend it straight out in front, turn leg 90 degrees to the right, return to front, bend it, & set down on floor. Repeat with left leg. | |
| ASHI SAKI O AGERU UNDO (足先を上げる運動 - HEEL PIVOTS) | Hands on hips, heels together, toes apart, lift ball of right foot off floor & pivot outward on heel of foot. Two repetitions each foot. | |
| ASHIKUBI O MAWASU UNDO (足首を回す運動 - ANKLE CIRCLES) | Hands on hips, heels together, toes apart, lift right leg up (thigh parallel to floor, lower leg bent 90 degrees at the knee). Make four circular motions to the outside with lower leg & foot, then four circular movements to the inside. Tilt the foot up & down as you perform this exercise, flexing the ankle joint. Repeat with left leg. | |
| HIZA O MAWASU UNDO (膝を回す運動 - KNEE CIRCLES) | Heels together, toes apart, bend at the waist. Place both hands on knees. Bend knees making two circular movements to right. Push knees backwards twice while bending forward at the waist. Repeat in other direction. | |
| KAKATO O AGERU UNDO (踵を上げる運動 - HEEL LIFTS) | Hands on hips, heels together, toes apart, raise heel off floor (keeping leg straight & using hip to lift) as high as possible turning heel to outside. Two repetitions each foot. | |
| KOSHI NO NENTEN (腰の捻転 - WAIST TWIST) | With feet far apart bend at the waist touching right foot. Make a 360 degree clockwise circle returning to, & passing by, the right foot, going to the left hip. Reach from left hip to right foot twice. Go to left foot & repeat in opposite direction. | |
| KUBI O MAWASU UNDO (首を回す運動 - NECK CIRCLES) | Heels together, toes apart, hands clasped together at waist, lower chin to chest. Rotate head 360 degrees clockwise | |
| TAI O MAE NI TAOSU UNDO (体を前に倒す運動 - WAIST SCOOPS) | Heels together, toes apart, hands at sides in Sanchin ready-double thrust position, bend at the waist, make four scooping motions letting hands brush the floor. Stand. Bring both arms up in front, placing right fist into left nukite. Twist twice to the right side, and then twice to the left side (stretch everything between feet & shoulders). | |
| UDE O MAE YOKO SHITA NI NOBASU UNDO (腕を前横下伸ばす運動 - DOUBLE ARM STRIKES) | Heels together, arms at your sides in Sanchin ready-double thrust position, thrust straight out in front, squeeze into tight fists & return to sides. Open in ready thrust position & thrust straight out to sides. Squeeze into tight fists & return hands to hips, opening hands into Sanchin opening-double thrust position. Thrust straight out in front keeping hands parallel to floor & palms facing each other. Squeeze into tight fists & return to sides as in starting position. | |
It's important to distinguish Junbi Undo from Hojo Undo (補助運動). While Junbi Undo are preparatory exercises focused on warming up and stretching, Hojo Undo are supplementary technical exercises that directly practice and reinforce the fundamental blocks, strikes, and kicks of Uechi Ryu. Hojo Undo often bridges the gap between basic movements and the applications found in kata.
In summary, Junbi Undo in Uechi Ryu is a vital part of the training regimen, designed to safely and effectively prepare the body and mind for the more intensive practice of the art. It emphasizes gradual warming, flexibility, body awareness, and injury prevention through a series of sequential exercises targeting major muscle groups and joints.
Hojo Undo (補助運動) in Uechi Ryu Karate translates to "supplementary exercises" or "auxiliary training." These are a series of specific, repetitive exercises that go beyond the basic Junbi Undo (warm-ups) and serve as a crucial bridge between fundamental movements and the more complex applications found within the kata (forms).
Hojo Undo focuses on developing the strength, conditioning, coordination, and body mechanics necessary for executing Uechi Ryu techniques effectively. They often emphasize the unique characteristics of the style, such as close-range power, body unity, and the "half-hard, half-soft" principle.
The "hojo undō" exercises actual incorporate elements of all techniques of Uechi. It is required knowledge for Black Belt Rank.
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| HAJIKI UKE HIRAKEN ZUKI (弾き受け 平拳突き - SNAP BLOCK, FLAT-FIST PUNCH) | From right Sanchin use right hiraken from guard position to mid-point to perform upper-area snap block, return hiraken to ready punch position. Punch out returning hiraken guard position. Perform middle-area snap block, return hiraken to ready punch position. Punch out returning hiraken to guard. From left Sanchin perform the same exercise except with left hiraken. | |
| HIJI ZUKI (肘突き - ELBOW PUNCH) | From right Sanchin drop right arm to side in Sanchin ready thrust position except turn palm of hand over facing floor & make a hiraken. Perform left hirate Mawashi uke & right rising elbow punch by raising the elbow to a position straight out in front of the shoulder, ending the movement with hiraken at the corner of right eye (at this point, bend hiraken forward as far as possible at the wrist while performing elbow punch). Reach across to left shoulder & perform elbow punch to right side ending with arm bent & elbow straight out from right shoulder. Reach out in front with hand & perform elbow punch to the rear ending with arm in ready thrust position - palm of hand facing up. Return to the guard position. From left Sanchin perform the same exercise except start with right hirate Mawashi uke. | |
| KOI NO SHIPPO UCHI TATE UCHI (鯉の尻尾打ち 縦打ち - VERTICAL FISHTAIL STRIKES) | From right Sanchin & hands in guard position, bend hands downward with fingers pointing toward floor, leading with wrist bone (the one on the thumb side, top of forearm). Perform a rising crane-head strike with both hands (rising to forehead height), keeping elbows in. Turn hands over pointing fingers upwards leading with wrist bone (the one on the pinky side, top of forearm). Perform a downwards strike with both hands (to solar plexus height), keeping elbows in. Turn fingers inwards, pointing at fingers of opposite hand & hands bent at wrist, with elbows in Sanchin position, & perform crane-head strikes to the side with both hands (to just outside of shoulders), leading with wrist bone (the one on the thumb side, top of forearm). Flip hands over (fingers now pointing outwards away from fingers of opposite hand) & perform a wrist bone (at the bottom of the inside of the heel of the hand) strike inwards with both hands. | |
| KOI NO SHIPPO UCHI YOKO UCHI (鯉の尻尾打ち 横打ち - HORIZONTAL FISHTAIL STRIKES) | From left Sanchin & hands in Sanchin position, bend left hand at wrist with fingers pointing toward right hand. Bend right hand at wrist with fingers pointing away from left hand. Perform a crane head strike to left side with left hand & wrist bone strike (at the bottom of the inside of the heel of the hand) with right hand, ending with left wrist just outside left shoulder. Flip both hands over facing in opposite direction. Repeat to right side. | |
| MAWASHI ZUKI (回し突き - HOOK PUNCH) | From right Sanchin perform left hirate Mawashi uke & right Mawashi zuki. Perform right hirate Mawashi uke & left Mawashi zuki. From left Sanchin perform the same exercise except start with right hirate Mawashi uke. | |
| SEIKEN ZUKI (正拳突き - REGULAR-FIST PUNCH) | From left Sanchin perform left hirate Mawashi uke & right seiken zuki. Perform left palm heel block & right seiken zuki. From right Sanchin perform the same exercise except start with right hirate Mawashi uke. | |
| SHIN KOKYU (深呼吸 - DEEP BREATHING) | With feet shoulder wide, breathe in through nose drawing air into lower abdomen (diaphragm), while raising arms upwards, then out to the side (palms facing up) and stretching shoulders forward. Then, breathe out through mouth bringing arms to your center, palms facing each other. Three repetitions are generally enough. This breathing exercise can be and should be done at various times throughout the class. | |
| SHOMEN GERI (正面蹴り - FRONT KICK) | From right Sanchin perform right hirate Mawashi uke & right Shomen geri. Perform left hirate Mawashi uke & left Shomen geri. From left Sanchin perform the same exercise except start with left hirate Mawashi uke. | |
| SHOMEN HAJIKI (正面弾き - FRONT SNAPS) | From left Sanchin, slide step forward while bringing hands down in front of solar plexus. Perform a double handed front snap strike, leading with finger tips, eye level. Slide step back. Return hands to solar plexus & perform a double-hand front snap strike, leading with finger tips, eye level. From right Sanchin perform the same exercise. | |
| SOKUTO GERI (足刀蹴り - SIDE KICK) | From right Sanchin turn right arm & look 45 degrees to the right, perform right hirate Mawashi uke & right Sokuto geri. Turn left arm & look 45 degrees to the left. Perform left hirate Mawashi uke & left Sokuto geri. From left Sanchin perform the same exercise except start with left hirate Mawashi uke. | |
| TEN-SHIN, KO SOKU GERI (転身 後足蹴り - STEP-TURN, KICK REAR FOOT) | From left Sanchin, step forward slightly, while turning 45 degrees to the right (maintain left Sanchin). Perform a right hirate Mawashi uke & right Shomen geri. Push heel of left foot inwards, bring right foot (leading with heel) along horizontal & step back with left foot ending in right Sanchin facing 45 degrees to the left of original starting position. Perform a left hirate Mawashi uke & left Shomen geri. Push heel of right foot inwards, bring left foot (leading with heel) along horizontal & step back with right foot ending in left Sanchin. Perform a right hirate Mawashi uke & right Shomen geri. Continue. | |
| TEN-SHIN, SHOKEN ZUKI (転身 小拳突き - STEP-TURN, SINGLE-KNUCKLE PUNCH) | From right Sanchin, step forward slightly while turning 45 degrees to the left (maintain right Sanchin). Perform a left hirate Mawashi uke & right shoken zuki. Perform a right hirate Mawashi uke & left shoken zuki. Push heel of right foot inwards, bring left foot (leading with heel) along horizontal & step back with right foot ending in left Sanchin. Perform a right hirate Mawashi uke & left shoken zuki. Perform a left hirate Mawashi uke & right shoken zuki. Push heel of left foot inwards, bring right foot (leading with heel) along horizontal & step back with left foot ending in right Sanchin. Perform a left hirate Mawashi uke & right shoken zuki. Perform a right hirate Mawashi uke & left shoken zuki. Continue. | |
| TEN-SHIN, ZEN SOKU GERI (転身 前足蹴り - STEP-TURN, KICK FRONT FOOT) | From right Sanchin, step forward slightly, while turning 45 degrees to the left (maintain right Sanchin). Perform a left hirate Mawashi uke & right Shomen geri. Push heel of right foot inwards, bring left foot (leading with heel) along horizontal & step back with right foot ending in left Sanchin facing 45 degrees to the right of original position. Perform a right hirate Mawashi uke & left Shomen geri. Push heel of left foot inwards, bring right foot (leading with heel) along horizontal & step back with left foot ending in right Sanchin. Perform a left hirate Mawashi uke & right Shomen geri. Continue. | |
| UKE, SHUTO UCHI, URA UCHI, SHOKEN ZUKI (受け 手刀打ち 裏打ち 小拳突き - BLOCK, SWORD-HAND STRIKE, BACK-FIST STRIKE, SINGLEKNUCKLE PUNCH) | From right Sanchin perform a left hirate Mawashi uke while bringing right hand up to shuto ready-strike position. Perform right shuto strike returning hand to a closed fist position, guard level (palm of hand facing shoulder). Perform right back-fist strike. Return hand to shoken ready-punch position at side. Perform shoken punch. From left Sanchin perform the same exercise except start with right hirate Mawashi uke. | |
In conclusion, Hojo Undo is an indispensable part of Uechi Ryu training. It serves as a vital link between the basic building blocks of the style and the advanced applications within the kata, developing the necessary physical and technical skills for effective Uechi Ryu Karate.



| Stances - Dachi: Uechi Ryu stances provide a strong, stable, and functional foundation for their martial arts practice, enabling effective power generation, efficient movement, and a solid base for both offense and defense. | ||
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![]() HEIKO DACHI | Heikō Dachi (平行立ち - Parallel Stance): is a karate stance where your feet are shoulder width apart, and their outer edges are parallel. This is a common transitional stance in many kata. | |
![]() KIBA DACHI | Kiba Dachi (騎馬立ち - Horse Riding Stance): is a karate stance characterized by a wide, stable position with feet parallel and knees bent, used for developing strength, balance, and stability. | |
![]() MUSUBI DACHI | Musubi Dachi (結び立ち - Joining Stance): is a karate stance where your heels are together and toes are slightly outward, used for bowing and before/after activities like warm-ups or kata. Musubi-dachi is used for formal bowing (rei) to show respect, and it's a common starting and ending position for various martial arts activities. | |
![]() NEKO ASHI DACHI | Neko Ashi Dachi (猫足立ち - Cat Stance): is a karate stance where you stand on bent back leg with 90% of your weight and a forward-facing front foot with a slightly raised heel. It is also known as a cat stand. | |
![]() SAGI ASHI DACHI | Sagi Ashi Dachi (鷺足立ち - Heron Stance / Crane Stance): is a karate stance where you stand on one leg while raising the other leg and bending it. It's also known as the crane-foot or heron-foot stance. | |
![]() SANCHIN DACHI | Sanchin Dachi (三戦立ち - Three Battles Stance): is a karate stance where your feet are placed close together, about shoulder-width apart, with the front foot angled inward at a 45-degree angle (measured on the inside of the foot). It is characterized by a narrow, deep stance with inward-facing knees and a focus on stability and power generation. | |
![]() SHIKO DACHI | Shiko Dachi (四股立ち - Square Stance / Sumo Stance): is a karate stance where your feet are placed two shoulder-widths apart, side-by-side, with toes pointing outwards at about 45 degrees. Knees are bent deeply, pushing outwards, and the hips are lowered. | |
| SUE GOSHI DACHI | Sue Goshi Dachi (据腰立ち - Sunk Hip Stance): id a karate stance where your front foot is turned forward opponent. It is like a kiba dachi but not so deep. | |
| Kicks - Geri: Uechi Ryu Karate has a distinct approach to kicking, emphasizing practicality, power generation within its effective range, and integration with the style's close-to-mid-range combat focus. The emphasis on lower and mid-level targets and the unique Sokusen Geri distinguish Uechi Ryu's kicking approach. | ||
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![]() HIZA GERI | Hiza Geri (膝蹴り - Knee Kick): A knee strike is often used for close-in fighting where a martial artist cannot fully extend their legs (i.e. unable to launch a roundhouse kick due to the proximity of the opponent), grappling situations where arms are trapped or restricted, etc. Targets for knee strikes include an opponent’s ribs, thighs, chin/face (if the head is pulled down during grappling), etc. | |
![]() MAWASHI GERI | Mawashi Geri (回し蹴り - Roundhouse Kick): The kick is executed with a snapping motion of the leg, striking with the instep or lower shin. The kicking leg should rotate inward and upward, striking at an angle from parallel to the floor to 45 degrees upward. The supporting foot should ideally point directly away from the opponent, or at a 90 to 45-degree angle. Some styles emphasize a chambering motion, lifting the knee high before executing the kick, while others focus on a more direct, snapping motion. | |
![]() SHOMEN GERI | Shomen Geri (正面蹴り - Front Kick): The kick is executed by raising the leg, bringing the foot forward, and striking with the ball of the foot. The front kick can be used to target the chest, stomach, or other areas of the opponent's torso. In Uechi Ryu karate, the front kick is a cornerstone technique, and they have a unique toe kick (sokusen geri) that utilizes striking with the big toe while performing a front kick. | |
![]() SOKUTO GERI | Sokuto Geri (足刀蹴り - Blade of the foot Kick): The primary striking surface is the blade (side) of the foot (Sokuto - 足刀). The snap kick is executed using the blade of the foot to potential targets such as the midsection, lower body, or even the femoral crease. It is often translated as "side kick," it's a more general term encompassing any kick using that surface. In Uechi Ryu is described as a forward-striking kick rather than a true "side kick" that involves a significant tilting of the pelvis. | |
![]() SUKUSEN GERI | Sokusen Geri (足先蹴り) It is front kick (Shomen Geri) that utilizes striking with the big toe while. The primary point of impact is the tip of the big toe (Sokusen - 足先). The other toes are typically curled back to avoid injury. It's executed as a sharp, snapping kick, emphasizing speed and penetration over a drawn-out pushing motion. | |
| TOBI GERI | Tobi Geri (飛び蹴り - Jumping Kick) The jump or flying kick is executed with launching into the air and delivering a kick, often a shomen geri (front kick) or yoko geri (side kick), with the goal of maximizing power and speed. It is not a primary or heavily emphasized kick in traditional Uechi Ryu Karate, because jumping or turning the back significantly can temporarily compromise the stable stances that Uechi Ryu emphasizes. | |
![]() USHIRO GERI | Ushiro Geri (後ろ蹴り - Back Kick) The back kick is executed with a quick pivot on the supporting leg, keeping the kicking leg close to the body, and then extending the heel back and up towards the target. Coordinate the pivot, hip rotation, and kick extension for power and speed. It is not a primary or heavily emphasized kick in traditional Uechi Ryu Karate, because jumping or turning the back significantly can temporarily compromise the stable stances that Uechi Ryu emphasizes. | |
![]() YOKO GERI | Yoko Geri (横蹴り - Side Kick) The side snap kick is executed using the blade of the foot. It's a more specific type of Sokuto (足刀 - knife-hand edge of the foot) Geri. The knee of the kicking leg is typically brought up towards the chest, with the foot drawn towards the opposite knee before extending to the side. Potential targets would include the midsection (ribs, solar plexus), lower body (thigh, knee), or groin. High side kicks to the head are generally considered less common and carry more risk. | |
| Punches - Tsuki: The impact point of the fist moves to the same direction with the forearm. Uechi Ryu Karate, while emphasizing a strong connection between blocks and strikes, features several distinct punching techniques. These strikes often utilize unique fist formations and body mechanics to generate focused power for close-to-mid range combat. Here's a description of the primary punches in Uechi Ryu: | ||
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| AGE TSUKI | Age Tsuki (上げ突き - Rising Punch / Uppercut): Similar to the hook punch, uppercuts (Age Tsuki) exist in Uechi Ryu, particularly in close-range applications. Fist Formation: A standard clenched fist (Seiken or Shoken). Delivery: An upward striking motion, originating from a lower position and targeting the chin or solar plexus. Power comes from bending the knees and driving upwards with the legs and hips. Application: Effective in close quarters for targeting the lower jaw or solar plexus. | |
| BOSHIKEN TSUKI | Boshiken Tsuki (母指拳突き - Thumb Knuckle / Palm Heel Strike): is a punch that uses the flat side of the first thumb knuckle tucked across to the center of the palm. Some variations include striking with the side of the thumb knuckle. | |
| GYAKA TSUKI | Gyaku Tsuki (逆突き)The reverse punch of Seiken or Shomen Tsuki, It's characterized by striking with the fist on the opposite side of the forward standing leg. | |
| HIRAKEN TSUKI | Hiraken Tsuki (平拳突き - Flat Fist Punch / Middle Knuckle Fist): It also known as “Leopard-fist strike”) is a type of punch using the second knuckles (“Tiger Fist") instead of the knuckles of a normal fist. This is a variation of the four-fingered spear hand strike, making it a more robust strike. It's executed in the same way as a front-foot or reverse punch, but the impact is made with the second knuckles. | |
| MAWASHI TSUKI | Mawashi Tsuki (回し突き - Hook Punch): While Uechi Ryu traditionally emphasizes linear strikes, hook punches (Mawashi Tsuki) are present in the curriculum and applications, though perhaps not as emphasized as in some other styles like boxing. Fist Formation: A standard clenched fist (Seiken or Shoken). Delivery: A semi-circular or hooking motion, swinging the arm around the side of the body. Power is generated through body rotation and hip movement. Application: Used for strikes to the side of the head, jaw, or body. | |
| NUKITE | Nukite (貫手突き - Spear Hand Strike / Finger Thrust): A specific type of punch or strike technique. It involves thrusting the tips of the fingers forward, aiming for maximum penetration and force. | |
| SANCHIN TSUKI | Sanchin Tsuki (三戦突き - Spear handed front punch): is delivered with the open palm and hand rotated during forward movement. It's a core element of the Sanchin kata characterized by its strong, controlled delivery and emphasizes building physical resilience and conditioning the body to withstand strikes. | |
| SEIKEN TSUKI | Seiken Tsuki (正拳突き - Front Knuckle Punch / Two Knuckle Punch) - In essence, Shomen Tsuki is a fundamental punch technique in Uechi-Ryu, characterized by its direct, forward motion and focus on generating power through body rotation. The movement involves a rotation of the hips and torso to generate power and stability. | |
| SHOKEN TSUKI | Shoken Tsuki (小拳突き - One Knuckle Punch): is a one knuckle punch (phoenix eye or tiger tooth) delivered from the chest or standing position, often used as a basic striking technique. | |
| URAKEN TSUKI | Uraken Uchi (裏拳突き - Back Fist Punch): is a striking technique where a sharp, snapping strike is delivered with the back of the fist. The strike is not just a push; it's a forceful, quick movement designed to deliver impact. | |
| Strikes - Uchi: Uechi Ryu Karate features a comprehensive striking arsenal that goes beyond just punches. Rooted in Pangai-noon, it incorporates principles of the Tiger, Dragon, and Crane, leading to powerful and efficient techniques. The impact point of the fist moves at right (90°) angle of the forearm. Here's a description of the main categories of strikes in Uechi Ryu: | ||
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| HAITO UCHI | Haito Uchi (背刀打ち - Ridge Hand Strike): is delivered with the edge of the hand where the thumb attaches. The arm angle during the strike is approximately 145 degrees, not a full 90 degrees, and the thumb is tucked under the palm to maximize power. It's a versatile technique used for blocking, striking, and potentially for both simultaneously, particularly against the opponent's forearm, neck, or fist. | |
| HIJI UCHI | Hiji Uchi (肘打ち - Elbow Strike) Elbow strikes are inherently close-quarters techniques, fitting well with Uechi Ryu's emphasis on fighting within a closer range than some other karate styles. The primary striking point is the point (tip) of the elbow with utilizing the entire body for aciving maximum power. The hips and torso twist significantly to generate force, so the rotation and counter-rotation of the upper body are crucial. Variations: Uechi Ryu includes several variations of the elbow strike, targeting different areas and delivered from various angles. These are often practiced within the Hojo Undo (supplementary exercises) and found within the applications (Bunkai) of the kata. Common Types of Hiji Uchi in Uechi Ryu: Mae Hiji Tsuki (前肘突き): Front Elbow Strike. A direct thrust forward with the elbow, often aimed at the midsection or face. It can be delivered with an upward or horizontal motion. Age Hiji Tsuki (上げ肘突き): Rising Elbow Strike. An upward strike, typically targeting the chin or solar plexus from a lower position. Yoko Hiji Tsuki (横肘突き): Side Elbow Strike. Delivered horizontally to the side, often targeting the ribs, torso, or the side of the head. This strike heavily utilizes body rotation. Ushiro Hiji Tsuki (後ろ肘突き): Rear Elbow Strike. Striking backward with the elbow. This is often used in self-defense scenarios when grabbed from behind. Oroshi Hiji Tsuki (下ろし肘突き): Downward Elbow Strike. Striking downwards with the elbow, potentially targeting the top of the head, collarbone, or other vulnerable areas. Mawashi Hiji Tsuki (回し肘突き): Roundhouse Elbow Strike. A circular elbow strike, similar to a hook punch but using the elbow. This can target the head or torso. Hiji Uchi in Hojo Undo and Kata: Elbow strikes are a crucial component of Uechi Ryu due to their effectiveness in close quarters. In situations where longer-range strikes are less practical, a well-executed Hiji Uchi can deliver significant power and damage. The style's emphasis on whole-body power makes these elbow strikes particularly potent. | |
| KAKUSHIKEN UCHI | Kakushiken Uchi (隠し拳打ち - Crane Beak Strike) The strike is delivered with the knuckles, specifically the second knuckle from the end of the index finger, delivered in a way that is often described as a short, forceful, and powerful strike. The primary striking points are the knuckles of the bent fingers. Due to the way the fist is formed, these knuckles protrude slightly and create a very concentrated area of impact. It is used to target small vital points such as: the neck and throat area, the armpits, the rib cage or smaller, vulnerable areas on the arms and legs. | |
| KOI NO SHIPPO UCHI | Koi no Shippo Uchi (鯉の尻尾打ち - Carp's Tail Strike) It is a Wrist Strike is delivered with the wrist using a whipping or snapping motion, like how a carp's tail moves in the water. The strike is often described as involving four-directional wrist blocks/strike. There are variations of this strike: Koi no Shippo Tate Uchi (鯉の尻尾立て打ち): Up-Down Wrist Strike (or block). series of wrist movements in vertical planes. Koi no Shippo Yoko Uchi (鯉の尻尾横打ち): Out-In Wrist Strike (or block). series of wrist movements in horizontal planes. | |
| KOKEN UCHI | Koken Uchi (虎口打ち - Tiger Mouth Strike): is refers to a specific type of strike and is delivered using the middle knuckle of the hand, rather than the entire fist. It is used to target small vital points such as the groin. | |
| NITE UCHI | Nite Uchi (二手打ち = Two-Hand Strike or Double Thrusts) Two punches simultaneously, such as a double Seiken Tsuki or double Shoken Tsuki is typically performed from a stable stance like Sanchin Dachi. Both fists are brought forward simultaneously, often targeting one to the midsection another to lower body. The power generation relies on the slide movement forward, synchronized with the extension of both arms. Uechi Ryu often emphasizes it as a single action that simultaneous serves as both a block and a strike, "Nite Uchi" could theoretically describe a scenario where one hand blocks while the other simultaneously strikes. Another case could be grasping and striking when one hand could grab or control the opponent while the other hand delivers a strike. This is a common principle in close-quarters combat. | |
| SHIHON NUKITE | Shihon Nukite (四本貫手 - Four Finger Strike) Shihon Nukite is a spear-hand strike using all four extended fingers, usually aimed at soft, vulnerable targets such as: the eyes (in a raking or stabbing motion) , the throat, the face (for distraction or blinding). The fingers are kept straight but slightly curved, close together, and the thumb is tucked in tightly against the palm or base of the index finger. Unlike the traditional nukite (spear-hand using fingertips), shihon nukite emphasizes a raking or poking motion with all four fingers in unison, making it ideal for attacking the eyes in a fast, reflexive action. | |
| SHOTEI UCHI | Shotei Uchi (掌底打ち - Palm Heel Strike) In many Karate styles, Shotei Uchi is a fundamental strike using the heel of the palm to deliver force. It can be used for various targets and in different directions (upward, forward, downward). | |
| SHUTO UCHI | Shuto Uchi (手刀打ち - Knife-Hand Strike or Bladed Hand Strike): is delivered with a straight-edged hand strike, with fingers and thumb pressed together. The wrist is kept straight throughout the motion, and the strike is aimed at various targets like the neck, side of the body, and temple. | |
| TETTSUI UCHI | Tettsui Uchi" (鉄槌打ち - Hammer Fist Strike) also known as Kentsui Uchi (拳槌打ち) The strike is delivered with the bottom of the fist, using a rotating motion to generate power. The technique involves starting with a chambered fist, rotating the body to build power, and then delivering the strike with the bottom of the fist. Power is generated through body rotation and arm movement. Common targets include the head (top or back), collarbone, side of the body, ribs, solar plexus, and potentially even limbs for blocking or breaking. | |
| Blocks - Uke: While Uechi Ryu doesn't categorize blocks with the same explicit "high, middle, low, inside, outside" terminology as some other Karate styles like Shotokan, it has fundamental defensive techniques that address different attack levels and embody the style's core principles of circular motion, whole-body involvement, and simultaneous block/strike. | ||
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| GEDAN BARAI | Gedan Barai (下段払い - Low Sweep / Downward Block): While the term is standard in many Karate styles, the Uechi Ryu execution might have subtle differences, often incorporating the circular principles. It's used to defend against low-level attacks, such as kicks to the legs. Motion: Typically involves a downward sweeping motion of the forearm to deflect the kick away from the body. Application: Protects the lower body and can disrupt the opponent's balance. | |
| HIJI UKE | Hiji Uke (肘受け - Elbow Block): The elbow is a powerful defensive tool in Uechi Ryu, used in close-quarters situations. Hiji Uke isn't always a primary "block" in the traditional sense but rather a defensive posture or a block that can simultaneously be a strike. Motion: In a defensive context, the elbow can be raised to protect the head or ribs in close range. Application: Often seen in conjunction with other blocks or as a transition to an elbow strike. The solid structure of the elbow provides strong defense. | |
| JUJI UKE | Juji Uke (十字受け - Cross Block) functional interpretation of Juji Uke in Uechi Ryu is more dynamic and focused on control, trapping, or transitioning to other techniques rather than a static, forceful block.Therefore it emphasises on circular movements (Wa Uke). This principle of simultaneous block and strike often influence how traditional blocking techniques are adapted in Uechi Ryu. Based on the principles of Uechi Ryu, a Juji Uke-like movement could be applied as: A grab or control: The crossed arms could trap an opponent's attacking limb. A setup for a joint lock: The crossed position could provide leverage for a wrist or arm lock. A simultaneous block and grip: One arm could deflect while the other secures a hold. A defensive movement against a grab: The outward motion of the arms could break free from a hold. | |
| KOTE UKE | Kote Uke (小手受け - Wrist Block): While literally "forearm block," in Uechi Ryu, Kote Uke often involves a more compact movement using the forearm and wrist area to control or deflect an incoming limb, particularly in close range. Motion: It can involve a rising or horizontal movement of the forearm to intercept and control the opponent's wrist or forearm. Application: Often used in grappling situations or to control an opponent's arm before a strike or takedown. It emphasizes control and manipulation over a wide deflection. | |
| SHUTO UKE | Shuto Uke (手刀受け - Knife-Hand Block): Similar to other styles, Shuto Uke uses the edge of the open hand to block. In Uechi Ryu, it might again incorporate a more circular or guiding motion. Motion: The hand moves in a sweeping arc, using the outer edge of the hand to deflect an attack. Application: Can be used against punches, strikes, or even grabs. | |
| SUKUI UKE | Sukui Uke (掬い受け - Scooping Block). Sukui Uke is a low, upward sweeping motion performed with the palm or forearm. The block would be accompanied by a shift in stance and rotation of the hips and torso, adding power to the deflection and positioning the body for a counter. Instead of a hard, linear block, the arm would move in a downward and inward or outward circular motion. This "scooping" action could serve to: Deflect a low or mid-level attack: Such as a kick or punch aimed at the body. Control or trap an opponent's limb: By scooping underneath or around the incoming attack. Set up a grab or throw: The scooping motion could transition into seizing the opponent's arm or leg for a subsequent technique. | |
| WA UKE | Wa Uke (和受け - Circular Block / Harmony Block): This is arguably the most fundamental and characteristic block in Uechi Ryu. It's a circular, scooping motion of the forearm that can be adapted to defend against various attacks at different levels. Motion: It typically starts with the arm in a raised or guarding position and moves in a downward and inward (or outward, depending on the variation and attack) circular arc. The forearm deflects the incoming force while the body often rotates to add power and stability. Application: Wa Uke is versatile. A higher Wa Uke can defend against head-level punches, while a lower one can address mid-level attacks. The circular motion aims to trap, guide, or deflect the opponent's limb, often setting up a simultaneous counter-attack with the other hand or a follow-up strike with the blocking arm. Emphasis: The focus is on blending with the opponent's energy, hence the name "Harmony Block," rather than rigidly stopping it. | |